![premiere cc multicam premiere cc multicam](https://larryjordan.com/wp-content/uploads/2013/07/allynn011.jpg)
IMPORTANT NOTE: When working with clips of different frame sizes, set Sequence Preset to Automatic. Always build the multicam clip to match the frame size of the largest clip inside it. This dialog allows you to specify the parameters of the multicam clip. (Remember, you can rename clips in Premiere.) Premiere selects clips in alpha-numeric order to build in the list and all is good. NOTE: You can also put all your multicam clips in a folder, select the folder, then choose Clip > Create Multicam Source Sequence. What this does is create a multicam sequence that exactly matches the settings of first clip, then places all the other clips, centered in the frame, at their native frame size. Next, choose Clip > Create Multicam Source Sequence. Here’s the second KEY TIP: Go to the Project panel and select the clip with the largest frame size FIRST! Then select the rest of your clips. (The differences in frame rate won’t matter for this example, because I’m not actually editing for this tutorial.) Here are my three clips: two are 1080 and one is 4096 x 2304. (Preferences can be changed at any time, and are retained between projects.) So, for multicam editing, set this to None. However, this totally screws up a multicam edit.
![premiere cc multicam premiere cc multicam](https://i.ytimg.com/vi/zKjJyJSeK50/maxresdefault.jpg)
Go to Preferences > Media and change Default Media Scaling to None.įor normal editing, I recommend setting this to Set to Frame Size. It often makes sense to transcode them into the same codec and frame rate – though not necessarily the same frame size – if your editing gets too sluggish.) (I should stress, though, that it is really helpful to have all clips use the same codec and frame rate. The challenge is when you are building and editing multicam clips with different frame sizes. I’ve used it a lot and enjoy the process. (Think of switching a live show.) If all your clips have the same frame size, frame rate and codec, multicam editing works great. Let me explain.Ī multicam edit is where you are playing and editing multiple clips at the same time. What went wrong? The answer is a preference setting. However last week, when I went back to test this, it didn’t. When I recorded the video, everything worked great.
Premiere cc multicam how to#
I did a video that showed how to work with different frame sizes in a multicam clip here. How can she create a multicam clip with video of different frame sizes, yet edit them into a 1080 timeline? She is editing a three-camera multicam sequence where two cameras are 1920 x 1080 and the third is 3840 x 2160. I’ve pulled the earlier article and have updated the process here. What I learned from Adobe after the article was published is that the problems were caused by an incorrectly set preference. Looking for more post-production tips and tricks? Check out these articles.BIG NOTE: Last week, I wrote about problems editing multicam clips in Premiere.
![premiere cc multicam premiere cc multicam](https://larryjordan.com/wp-content/uploads/2013/11/web113-multicam.jpg)
The point is to get the two RAW shots to look as close as they can to each other by using one of them as the base shot. Hit the “New Item” button, then “Add Adjustment Layer.” Once you’ve done this, go ahead and throw on a LUT or perform your standard correction procedure for however you’d like your final images to look. Now, we’re going to color-correct both of the shots. Playing with these two tools will bring the footage from your two cameras closer to each other. Then we’ll play with the temperature (which will be your orange and blue), and then tint (more of magenta and green). Once you’ve set the contrast appropriately, you’re going to want to find the perfect balance of the general color temperature in the shot, so you’ll open up the “Basic Correction” tab in the Lumetri Color Effect. Once you’ve done this, it’s all about matching the contrast between the shots. Then, open up Effects Controls > Lumetri Color, then drop down to the Curves tool.
![premiere cc multicam premiere cc multicam](https://agilelogics.com/wp-content/uploads/2020/06/adobe-premiere-pro-interface.jpg)
So, first he applies a Lumetri Color effect to the clip. In the video, Todd suggests that you pick one of the shots (most likely from your best camera - or your A-camera) and use that as the base shot to grade against from there on out. This will allow you to look at the two shots side by side. Then when it comes time to edit and you’ve put your footage into your timeline, go over to Settings > Comparison View. Recording with the same color temperature will make the grading process much, much easier. So to help out with your edit, first make sure that each camera is set at the same white balance.